Mad Max: Fury Road is a movie whose engine never stops roaring until the credits roll. It’s a brilliantly executed return to the post-apocalyptic wastelands of The Road Warrior, but Fury Road makes that movie seem like a leisurely Sunday stroll in comparison. The plot is simple yet elegant: an extended chase sequence that ebbs and crescendoes in tightly choreographed displays of chaos. Max (Tom Hardy) is once again the tortured loner eking out a grim existence in the wastelands until he’s captured by Immortan Joe, a warlord with a death fixation. Meanwhile, Imperator Furiosa (Charlize Theron), launches a plan to liberate her master’s most favored sex slaves and take them to safety. As you might imagine, things don’t go according to plan.
Director George Miller makes sparing use of computer generated effects, which gives his scenes of automotive mayhem a more visceral feel. The chrome and sand flying across the screen is tangible in a way that the superpowers of the Avengers still aren’t. And while Max may be the titular hero, Furiosa is the movie’s true moral center and the character with the most depth. Theron joins the pantheon of female action stars (including Sigourney Weaver and Linda Hamilton) whose presence elevates their movies from the generic to the compelling. Fury Road‘s feminist themes have managed to elicit growling and howls from the caves of the men’s rights advocates, which is another reason to love this movie.