May 152013
 

Having thoroughly conquered the American cinematic landscape, Joss Whedon and Marvel Studios have decided to focus their superhuman powers on television. ABC has picked up Agents of S.H.I.E.L.D., a new series focusing on the spy agency from The Avengers film and countless comics. The trailer below looks promising and I’m curious to see how much of the existing Marvel Universe will make an appearance. It seems unlikely that Thor or Spiderman would star in an episode, but perhaps we’ll get a Gambit or Black Widow.

Any guess on how many seasons this will last? It’s certainly got geek cred and all the power of Disney behind it, so the show may have staying power. Or it could flop hard if it can’t connect with viewers.

Apr 162013
 

While I’ve been fighting this cold, my reading quota has fallen sharply. I hope to begin correcting that soon. But first, the latest episode of Mad Men calls. That Don Draper is a right bastard, isn’t he? I’m expecting epic fallout once Megan takes the blinders off. Don’t disappoint me, Matt Weiner.

Mar 182013
 

Remember all those YouTube videos claiming that the September 11th attacks were a government conspiracy? The video below applies the same “truther” sensibility to the destruction of the first Death Star. It employs the now-familiar technique of posing loaded questions and disguising inference as fact to suggest that Darth Vader facilitated Luke’s destruction of the battlestation. It’s funny and clever enough that I’m almost willing to overlook the narrator’s mangling of “Alderaan”. Almost.

Here’s the video:

Feb 122013
 

The Syfy Channel, the cable network that has long operated under the woefully misguided notion that what science fiction fans want to watch is more pro wrestling and high school dropouts hunting ghosts in the restrooms of abandoned shopping malls, is planning a miniseries based on Philip K. Dick’s novel The Man in the High Castle. The book describes an alternate history where the Axis powers emerged victorious in World War II and occupied America. But this being a Dick novel, the story gets pretty meta.

Syfy has a mixed track record of developing book adaptations. Its version of Dune was mediocre to good, but it made a hot mess of Ursula K. Leguin’s Earthsea. I worry that a network suit will take a red pen to anything in the script that addresses the book’s more metaphysical themes while shouting at the writers, “No, no, no! Less late-night freshman dorm bullshitting, more Nazis! And let’s make one of the Nazis a hot but icy blonde who kills American resistance fighters with a katana! I’m thinking Scarlett Johansson. Get me her agent! And get me some more coke!” Or something like that.

The fact that Frank Spotznitz, a writer for The X-Files, is involved gives me faint hope that it won’t be a train wreck. But it’s usually wise to expect disappointment from Syfy and be pleasantly surprised if the final product doesn’t suck.

 

Feb 082013
 

AMC, the cable network that gave us Breaking Bad and The Walking Dead, has optioned Mary Doria Russell’s wonderful novel The Sparrow for a possible series. Longtime readers of this blog have probably seen previous entries in which I raved about this book. It’s a beautifully written story about first contact, faith, and the terrible consequences of good intentions. The Sparrow covers some bleak material which AMC is well-suited to bring to screen. People already associate the network with intelligent fare that isn’t afraid to go to some dark places and The Sparrow could nicely round out AMC’s genre offerings.

Like any option deal, it could amount to nothing. But it’s encouraging to see that television producers are still open to developing intelligent science fiction.

Jan 252013
 

I’m cautiously optimistic that J.J. Abrams can make a decent Star Wars movie. As long as there’s no time travel and the main characters stay out of purgatory, everything should be fine. The only downside may be that the Star Trek franchise goes back into drydock for a while, unless Paramount can find someone else to take the reins. In my wildest dreams, we would get a movie from each franchise opening within a week of each other. It would result in massive geek riots or set us on the path to world peace.

Dec 282012
 

Let’s do this.

  • Best movie I saw: Lincoln–Finally, an epic movie about the American legislative process! Spielberg’s analysis of the nation’s most celebrated president as a calculating power broker stands apart from other biopics because it retains a sharp focus on one of Lincoln’s signature achievements: the passage of the Thirteenth Amendment abolishing slavery. It’s tempting to descend into hagiography with this kind of subject matter, but Tony Kushner’s script mostly resists those impulses and instead gives us a Lincoln who can be equally charming, brooding, and resolute. The acting is superb all around, but Tommy Lee Jones deserves an Oscar for his portrayal of a powerful and acerbic abolitionist senator.
  • Best book I read: Redshirts by John Scalzi–This novel opens as a parody of every pulpy science fiction television show you’ve ever seen, but it gradually becomes something much more thoughtful and, for lack of a better word, meta. It’s an examination of the nature of storytelling and how it shapes both reality and our imaginations. Scalzi’s experiences in writing for television inform this book and gives the reader a peek into the pleasures and frustrations of the creative process. It’s also a deeply funny book that is grounded in an abiding love for the genre.
  • Best album I heard: Bloom by Beach House–When this album was released, I tweeted that it sounded like the soundtrack to an unproduced Cameron Crowe movie. Crowe agreed with me, so I must be on to something. Beach House has a knack for simple opening riffs that quickly explode into walls of sound. A lot of dream pop albums tread into monotony after the second or third track, but Bloom never gets boring. I’m expecting great things to come from this band in albums to come.
  • Best TV show I watched: Game of Thrones–This year offered another embarrassment of riches on the small screen, but Game of Thrones managed to present a second season that outdid its first in terms of scope, tension, and sheer fun. Things are going to hell in Westeros and, across the sea, an exiled princess is grooming her young dragons for war. The show balances multiple storylines without skimping on material or becoming self-indulgent. Peter Dinklage is even more assured as the scheming Tyrion, but Maisie Williams is astonishing as Arya. She imbues her character with traumatized maturity that few other actors her age could convey. She is a talent to watch in the coming years.
Nov 282012
 

Over at ThinkProgress, Alyssa Rosenberg takes issue with a reviewer of the movie The Sessions, a sex comedy based on the life of Mark O’Brien. O’Brien spent most of his life in an iron lung as a result of polio; the movie depicts O’Brien’s efforts to lose his virginity with the assistance of a sex surrogate. The reviewer in question wishes that the movie would have focused more on the fragility and despair that must be inherent in O’Brien’s life. Rosenberg disagrees:

But I don’t think The Sessions is a movie about a man learning to cope with a disability—in fact, it’s a movie about a man who’s coped very well with the limitations in his mobility for years. The film explains those arrangements because it assumes that an able-bodied audience will be interested in how Mark gets around and makes a living. But it’s emphatically not about him coming to terms with the fact that he has to use an iron lung, or hire an aide, or even that in a power outage, Mark could be in considerable danger. Instead, The Sessions is a sex comedy with Mark’s experience with polio as the reason he never lost his virginity.

I haven’t seen the film yet, but Rosenberg makes a key point. Not every movie featuring a person with a disability has to be a story about struggling against the odds. Those of us who have lived with disabilities for years don’t typically perceive our own lives in such terms. We’re too busy with the prosaic details of our own lives, whether it’s going to school or hanging out with friends or trying to get laid. Our disabilities are sometimes the furthest things from our minds, particularly when we enter the realm of sex. When I’m having sex, I’m not thinking about my tenuous grip on this mortal coil. I’m thinking, “Hey, I’m having sex! This is awesome!” And when my partner has to reconnect my vent tube after accidentally disconnecting it with her foot (I’ll let your imaginations run wild here), I don’t curl up into a fetal ball and bemoan my fate. I simply thank my partner and get back to whatever we were doing. Because that’s how real life works.

Most people without disabilities (including those who work in Hollywood) have difficulty grasping how a disability can be anything other than an epic struggle that is by turns both tragic and inspirational. But there’s no reason why people with disabilities can’t be featured in sex comedies or science fiction thrillers or crime capers. We can be just another feature of the pop culture landscape rather than the go-to source for feel-good tearjerkers. Perhaps The Sessions is a signpost on the road to the movies I’m imagining.

 

Oct 302012
 

When news of Disney’s acquisition of Lucasfilm and plans to film Episode VII showed up in my Twitter feed, I seriously contemplated the possibility that I may have stumbled into some strange alternate universe. Having assured myself that wasn’t the case, I then recoiled in horror at the thought of Mickey Mouse being digitally inserted into the Episode IV cantina scene in future re-releases. But as fellow geek John Scalzi notes, new ownership could breathe new life into the franchise. Lucas hasn’t exactly proven himself indispensable with the last few Star Wars movies and Disney certainly has the wherewithal to attract top-flight talent to work on Episode VII.

And white they’re at it, I wouldn’t mind seeing Pixar do an Indiana Jones film