{"id":2663,"date":"2010-05-15T15:39:18","date_gmt":"2010-05-15T15:39:18","guid":{"rendered":"http:\/\/the19thfloor.net\/?p=2663"},"modified":"2010-05-15T15:39:18","modified_gmt":"2010-05-15T15:39:18","slug":"critic_at_large_66","status":"publish","type":"post","link":"https:\/\/the19thfloor.net\/?p=2663","title":{"rendered":"Critic At Large: M. Butterfly"},"content":{"rendered":"<p><i>M. Butterfly<\/i> is loosely based on the true story of a French diplomat who became involved with a male Chinese opera star and was eventually convicted of spying for the Chinese. The Guthrie production presents the narrative in a series of flashbacks as told by former diplomat Rene Gallimard as he wastes away in a French prison. He summons for the audience his memories of his time as a junior officer stationed at the French embassy in Beijing. We observe his budding infatuation for Song, a Chinese opera star who plays the lead role in a production of Puccini&#8217;s <i>Madame Butterfly<\/i>. They eventually form a relationship, but Gallamard somehow never realizes that Song is a man. He also fails to recognize that Song is manipulating him into passing secrets to the Chinese government. <\/p>\n<p>The play is a funny and insightful study of romantic love and the extent to which we will sometimes lie to ourselves and others in order to protect our idealized image of a lover. The cast is uniformly great, but Randy Reyes deserves special mention for his portrayal of Song. He&#8217;s been in several Guthrie productions, but here he finally brings his wit and wry delivery to a leading role. The scene in which Song finally reveals his true identity to Gallimard is one of the most intense and well-executed I&#8217;ve seen at the Guthrie.<\/p>\n<p>As an aside, I heard several older ladies gasp at the full frontal male nudity, so keep that in mind when deciding to take your grandmother to this production. <\/p>\n<div class=\"zemanta-pixie\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"zemanta-pixie-img\" alt=\"\" src=\"https:\/\/i0.wp.com\/img.zemanta.com\/pixy.gif?w=695\" \/><\/div>\n","protected":false},"excerpt":{"rendered":"<p>M. Butterfly is loosely based on the true story of a French diplomat who became involved with a male Chinese opera star and was eventually convicted of spying for the Chinese. The Guthrie production presents the narrative in a series of flashbacks as told by former diplomat Rene Gallimard as he wastes away in a <a href='https:\/\/the19thfloor.net\/?p=2663' class='excerpt-more'>[&#8230;]<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-2663","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-1-id","post-seq-1","post-parity-odd","meta-position-corners","fix"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p9Iwau-GX","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/the19thfloor.net\/index.php?rest_route=\/wp\/v2\/posts\/2663","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/the19thfloor.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/the19thfloor.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/the19thfloor.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/the19thfloor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2663"}],"version-history":[{"count":0,"href":"https:\/\/the19thfloor.net\/index.php?rest_route=\/wp\/v2\/posts\/2663\/revisions"}],"wp:attachment":[{"href":"https:\/\/the19thfloor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2663"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/the19thfloor.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2663"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/the19thfloor.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2663"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}