May 202013
 

Star Trek Into Darkness isn’t shy about appropriating material from classic Trek lore. To say much more would require spoilers, but some fans may find this latest re-imagining too derivative of the earlier and perhaps better version. I can see their point, but I’m also a sucker for new spins on old stories. And J.J. Abrams brings some interesting twists that improve upon the original formula. For example, a certain alien species looks way more badass. Benedict Cumberbatch (I still say he’s a refugee from a parallel Dickensian universe) is also one of the more memorable Trek villains to antagonize Kirk in a while.

But I’m still trying to understand why “Lens Flare” isn’t listed in the cast credits.

May 082013
 

A few thoughts on the Ender’s Game trailer, which you can watch below:

  • Harrison Ford seems like a good choice for the intense Colonel Graff.
  • The scenes of the bugger invasion of Earth are a nice touch; the book only mentions the invasions obliquely.
  • Those tribal tatts on Mazer Rackham’s face are another nice touch. I had forgotten that Mazer is half Maori.
  • I wish we heard more from the Ender and his classmates. Perhaps in a future trailer.
  • SPOILER ALERT: I’m not sure why the studio decided to include a rather pivotal scene from the book in a trailer. It’s not obvious to those unfamiliar with the novel, but including this bit seems like an unnecessary reveal.

Apr 042013
 

I was sorry to hear about the death of Roger Ebert today. Aside from being a gifted writer and astute critic, he became a champion of disability rights in his later as he coped with his own declining health. He promoted bloggers who wrote about disability and mentioned disability issues frequently in his own blog. I’ll miss seeing his links and commentary pop up in my Twitter feed.

Feb 182013
 

I finally got around to watching this movie about disability, sex, and love over the weekend. It recounts the true experience of Mark O’Brien, a Berkeley writer and poet with polio who yearns to experience sex and decides to hire a professional sex surrogate (Helen Hunt). John Hawkes is magnificent as the deeply insecure yet charming O’Brien. Of course, I would have preferred that an actor with a disability play the lead, but Hawkes plays the role with assurance. And Hunt really deserves to star in more films; few actors have the talent to handle a part that requires both intimacy and guardedness.

The movie itself is a bit disjointed. Scenes transition abruptly and the script sometimes relies too heavily on flashbacks. But several moments in the movie will have viewers with disabilities (or me, at least) nodding in recognition: the  bumbling confession of love to a caregiver, the painful realization that those feelings aren’t reciprocated, the persistent doubts that the loneliness will ever end. My own romantic and sexual misadventures differ in some respects from O’Brien’s, but I caught myself wincing and smiling a few times as the movie summoned memories of my own awkward efforts to find love, or at least a willing partner.

Feb 052013
 

Not only is Disney bringing a new Star Wars trilogy to theaters, but they are also developing a series of standalone movies focusing on major characters like Yoda or (possibly) Boba Fett. Interesting, but I’d like to see Disney push the concept further. How about Mon Mothma and Bail Organa in a political thriller? Wedge Antilles in a straight-up war movie? IG-88B and Bossk in a buddy caper movie? Quentin Tarrantino needs to direct that last one. I want to see Bossk’s growls captured in subtitles as a string of F-bombs.

Dec 272012
 

The first thirty minutes of The Hobbit were the most disconcerting for me. I saw the 48 frames-per-second version and it has a hyperrealistic look that reminds me of a Mexican soap opera. That impression fades once the film becomes more sweeping in scope, but it continues to nag. Unfortunately, much of the script nags as well. Expository scenes, like Bilbo’s surprise dinner date with the dwarves, drag on for too long without doing much to advance the plot. Jackson also devises several scenes that are meant to foretell the events of The Lord of the Rings trilogy. These are interesting, but again, they seem like unnecessary padding.

The movie offers many fine action set-pieces and breathtaking vistas, but it simply doesn’t have the same narrative heft of the trilogy. The few agile and compelling scenes (like the battle of wits between Bilbo and Gollum) are outnumbered by cumbersome and self-indulgent. Let’s hope Jackson regains his footing in the next installment.

Dec 172012
 

Movie trailers can be notoriously misleading, but next year could bring some interesting fare for us science fiction buffs. Oblivion provides stunning glimpses of a future Earth ravaged by an alien invasion. And Morgan Freeman as a possibly-maybe bad guy! Meanwhile, Pacific Rim finds Jax Teller from Sons of Anarchy trading in his Harley for a giant robot which he uses to fight similarly gigantic sea monsters from another dimension. The premise is something that a ten-year-old boy might have concocted, but director Guillermo del Toro has proven himself capable of bringing some gravitas to otherworldly affairs.

Then there’s After Earth, M. Night Shyamalan’s return to science fiction. Will Smith and his real-life son crash-land their spaceship on an Earth now populated by lots of CGI wildlife that doesn’t have fond memories of humans. There’s no scenes of characters trying to flee a gentle breeze, so I’m trying to remain cautiously optimistic about this one.

 

Dec 062012
 

I’m not sure what I think of the trailer for the new Star Trek movie. It has some nice shots of what looks like 23rd century San Francisco and Starfleet Academy and an intriguing glimpse of the Enterprise rising out of the ocean. But it doesn’t give much sense of the story. Sure, Benedict Cumberbatch provides some menacing narration, but we don’t hear boo from Kirk and Spock. I guess the details can wait as long as someone can assure me that the movie will deliver at least one epic space battle.

Nov 282012
 

Over at ThinkProgress, Alyssa Rosenberg takes issue with a reviewer of the movie The Sessions, a sex comedy based on the life of Mark O’Brien. O’Brien spent most of his life in an iron lung as a result of polio; the movie depicts O’Brien’s efforts to lose his virginity with the assistance of a sex surrogate. The reviewer in question wishes that the movie would have focused more on the fragility and despair that must be inherent in O’Brien’s life. Rosenberg disagrees:

But I don’t think The Sessions is a movie about a man learning to cope with a disability—in fact, it’s a movie about a man who’s coped very well with the limitations in his mobility for years. The film explains those arrangements because it assumes that an able-bodied audience will be interested in how Mark gets around and makes a living. But it’s emphatically not about him coming to terms with the fact that he has to use an iron lung, or hire an aide, or even that in a power outage, Mark could be in considerable danger. Instead, The Sessions is a sex comedy with Mark’s experience with polio as the reason he never lost his virginity.

I haven’t seen the film yet, but Rosenberg makes a key point. Not every movie featuring a person with a disability has to be a story about struggling against the odds. Those of us who have lived with disabilities for years don’t typically perceive our own lives in such terms. We’re too busy with the prosaic details of our own lives, whether it’s going to school or hanging out with friends or trying to get laid. Our disabilities are sometimes the furthest things from our minds, particularly when we enter the realm of sex. When I’m having sex, I’m not thinking about my tenuous grip on this mortal coil. I’m thinking, “Hey, I’m having sex! This is awesome!” And when my partner has to reconnect my vent tube after accidentally disconnecting it with her foot (I’ll let your imaginations run wild here), I don’t curl up into a fetal ball and bemoan my fate. I simply thank my partner and get back to whatever we were doing. Because that’s how real life works.

Most people without disabilities (including those who work in Hollywood) have difficulty grasping how a disability can be anything other than an epic struggle that is by turns both tragic and inspirational. But there’s no reason why people with disabilities can’t be featured in sex comedies or science fiction thrillers or crime capers. We can be just another feature of the pop culture landscape rather than the go-to source for feel-good tearjerkers. Perhaps The Sessions is a signpost on the road to the movies I’m imagining.

 

Nov 262012
 

Lincoln is likely the most epic cinematic treatment of the American legislative process that moviegoers will ever see. Director Steven Spielberg and writer Tony Kushner eschew the standard biopic formula and instead choose to focus on Lincoln’s efforts to pass the 13th Amendment abolishing slavery in the final months of his presidency. Much of the movie is devoted to Lincoln’s efforts to round up enough Democratic votes to pass the amendment through the Republican-led House. To accomplish his goal, Lincoln—the closest thing to a deity in American history–is not above resorting to the venal: political patronage and obfuscation of the truth. Some of the movie’s most watchable moments are those featuring two hired political guns (James Spader and John Hawkes) trying to coax votes from cowardly and/or greedy lame duck representatives.

Daniel Day-Lewis is folksy yet mercurial as Lincoln, yet it’s Tommy Lee Jones who gives a much more compelling performance as the abolitionist congressman Thaddeus Stevens, leader of the radical Republicans in the House. In a private moment with Lincoln, Stevens goes on at length about his uncompromising commitment to racial equality while making clear his contempt for the vast majority of the American electorate, whom he regards as irredeemably racist. It’s an important scene; Lincoln is often portrayed as the Great Emancipator, but he arrived late to a cause that had much more committed champions.